Artist text published in the Empire Remains Shop book by Cooking Sections, the London book launch is at the showroom at 18:30

The transcript of our performance of socialist poetry for a bingo caller is published in Austrian Illuminations, edited by SJ Fowler

Avant Tout, Discipline and B/NdAlTaAu are exhibited in Unthought Environments at the Renaissance society Chicago until 8 April

Artist talk at Beursschouwburg, Brussels, 17.00

An interview with Matthew de Kersaint Giraudeau for the Bad Vibes Club podcast

09.12.17
White Horse / Twin Horse, a solo show in five rehearsals opens at de Brakke Grond, Amsterdam until 28 January

Recent works discussed on ‘From Trash to Waste’ by Yvonne Volkert on Texte Zur Kunst, Issue no.108

Life Support is featured on the cover of the new PCA-Stream, Paris

Bird of paradise neons commissioned for Verschwindende Vermächtnisse: Die Welt als Wald, at CeNak Hamburg

‘Avant Tout, Discipline’ Reviewed by Jorne Vriens in Metropolis M No 5, 2017

Forevers, a new commission for MoMA is exhibited in Items: Is Fashion Modern?, until 28 January.

Artist talk at The City College of New York this Wednesday at 12:30pm.

Drawings and installation exhibited at Clouds > Forests, the Main Project of the 7th Moscow biennale curated by Yuko Hasegawa. New Tretyakov Gallery, Moscow until 18 January.

Neon and mammoth ivory works exhibited in KI, Curated_by Paul Feigelfeld at Galerie Crone Vienna, until 14 October.

Avant Tout, Discipline Reviewed in Tubelight, NL

Solo show of new and recent work at mu artspace, Eindhoven. Until 17 September.

Solo show at Gallery Belenius, Stockholm. Until the 21 May

Running in Circles, artist talk part of the Transpersonal lecture series, General Theory Forum, ICA, London

New work commissioned by Container Artist Residency exhibited in Creative Operational Solutions at Para Site, Hong Kong, until February 26

Artist talk at the Empire Remains Shop, 91–93 Baker Street London W1U 6QQ, 6.30 PM

‘Take a Good Lamp’ artist text published in Cultural Politics Journal, edited by Jussi Parikka and published by Duke University Press, November 2016.