An interview with Philipp Hindahl is in this month’s Monopol Magazin.

Our recent survey show reviewed in Artforum by Huib Haye van der Werf.

A glimpse into our upcoming work Heavens, commissioned by the Serpentine Galleries, is featured now on Wepresent as part of ‘Groundwork’ – an online series exploring research undertaken by artists.

Hera Chan reviews our survey show Palms Palms Palms in Frieze Magazine.

A review of Palms Palms Palms in de Standaard today by Jozefine Van Beek (in Dutch).

Meat Roundtable published in The White Review Issue no.27, March 2020

An interview with Anna Burckhardt on MoMA Magazine about 75 Watt and the choreography of labour and the disconnection between head and pin and mass manufacturing in the Pearl River Delta circa 2013

Trigger interview in this week’s H_Art Magazine

Eva Wilson’s text about our work appears in The Work of Wind: Land, published by K.Verlag.

A new text is published by due today

Artist text published in the Empire Remains Shop book by Cooking Sections, the London book launch is at the showroom at 18:30

The transcript of our performance of socialist poetry for a bingo caller is published in Austrian Illuminations, edited by SJ Fowler

An interview with Matthew de Kersaint Giraudeau for the Bad Vibes Club podcast

Recent works discussed on ‘From Trash to Waste’ by Yvonne Volkert on Texte Zur Kunst, Issue no.108

Life Support is featured on the cover of the new PCA-Stream, Paris

‘Avant Tout, Discipline’ Reviewed by Jorne Vriens in Metropolis M No 5, 2017

Avant Tout, Discipline Reviewed in Tubelight, NL

‘Take a Good Lamp’ artist text published in Cultural Politics Journal, edited by Jussi Parikka and published by Duke University Press, November 2016.

An interview in Art in America about working at sea for Container Artist Residency

‘Mine’, artist text published in the Rare Earth book edited by Boris Ondreička and Nadim Samman. Co-published by Sternberg Press and Thyssen-Bornemisza Art Contemporary.

Artist text published in Are We Human, a catalogue edited by Beatriz Colomina and Mark Wigley for the 3rd Istanbul Design Biennial.